How (Not?) to Read Poetry

Poetry in the Woods on Thursday

At the risk of too much tooting, I'd like to point out the Poetry Back in the Woods reading, at the Shaker Heights Library, Bertram Woods Branch, coming up this Thursday at 7pm.

Shaker Heights Library Events

It'll be featuring some fine poets, namely Joshua Gage, J.E. Stanley, Mary Turzillo, and dan smith. Plus possibly a surprise reader as well.

Uh, I might point out that the reading is not actually in the middle of a forest (not that there's anything wrong with that.) It will be at:

Shaker Heights Public Library,

Bertram Woods Branch

20600 Fayette Road, Shaker Heights, Ohio

(that's off Warrensville Center Road, just south of Shaker Boulevard-- just to the south of the Rapid station at Warrensville, if you're car-free)

Check out the Facebook page.

Poetry in the Woods, I might point out, has been a long-running series at the Shaker Libraries:

the series was started eleven years ago by poet, college teacher, and environmental activist Barry Zucker. After starting the readings at the Bertram Woods library--"Poetry in the Woods"-- the series also included readings at Horseshoe Lake Park ("Poetry Really in the Woods") and readings at the Main Library ("Poetry Not in the Woods.") The series is funded by the Friends of the Shaker Library and, now that it's back at Bertram Woods, it's (what else?) "Poetry Back in the Woods."

Anyway-- be there!

Ohio Poetry Presses

For a long time I've wanted to compile a somewhat comprehensive listing of active Ohio poetry publishers.  For now I'm focusing on print (rather than purely online) publishing, and admittedly some of the following are more active than others. But here's what I've come up with off the top of my head. The list is woefully incomplete, I know, and I'm certain I'll think of a few more to add as soon as I hit the "Publish" button, but I hope you'll help me fill in as many of the missing Ohio poetry presses as possible.  Thank you!

Ashland Poetry Press
Bird Dog Publishing
Blood Pudding Press
Bottom Dog Press
Buffalo ZEF
The City Poetry Press
Cleveland State University Press
Crisis Chronicles Press
deep cleveland press
Dos Madres Press
Etruscan Press
Green Panda Press
Guide to Kulchur Press
HobGob Press
Hydeout Press
Kattywompus Press
Kent State University Press
Kenyon Review
Le Pink-Elephant Press
Masked Man Media 
New Luna Bisonte Prods
NightBallet Press
Oberlin College Press

Ohio State University Press
Ohio University Press & Swallow Press
P2B Press
Pale Horse Press
Pavement Saw Press
Pig Iron Press
Poehemian Press
The Poet's Haven 
Porkbelly Press
Pudding House Publications
recycled karma press
Small Victories Press
Silenced Press
Standing Rock Cultural Arts 
True Colors Press
Two Dollar Radio Books
University of Akron Press
University of Toledo Press
vanZeno Press
Walleyed Press
What's In The Bag Press
Writing Knights Press
Zygote in My Coffee Press

Writing is hard

...even for Dorothy Parker.

"...all I have is a pile of paper covered with wrong words. Can only keep at it and hope..."

52 Cleveland Haiku (52)

One year of haiku:

city turns from white to green,

circles back to white.

--Geoffrey A. Landis

Community vs. cash?

In a recent conversation on poetry, one poet told me that community is "absolutely necessary" to her creative process. She was specifically speaking about a close group of a few fellow writers, but since that conversation, I've been mulling over the concept of a poetry "community."

Anyone relatively active in poetry readings in Northeast Ohio would confirm the presence of a poetry "community" in the Cleveland area, and many who attend readings regularly would also probably attest to the importance of such a community. But I'm wondering exactly what aspect (or aspects) of "community" poets feel is necessary to the creative process.

Open mics and regular readings provide an open forum, but doesn't "community" imply more than that. More formalized groups with paid memberships--like the lately departed Lit--provide workshops, classes, and regular publications, but many of those groups seem to be struggling, or like The-Lit, going under. It's easy to blame it on the economy--people don't have the money to pay for writing association memberships right now. But I have to wonder if such groups might also be going under because they're becoming obsolete, no longer meeting the needs of poets in 2012.

So now I'm wondering if you would pay for membership in a poetry organization, and what perks you consider to be worth the price of a paid membership. Or do informal gatherings provide you with everything you feel you need in a creative community for free?

(In the interest of full-disclosure, this isn't purely a point of personal interest. As current VP of the Ohio Poetry Association, I'm genuinely interested in feedback on how we could make formal poetry organizations more relevant to members and potential members and what you, as poets, feel are the needs among NE Ohio writers that are not being met right now.)

52 Cleveland Haiku (51)

Pale thin grey line

separating the lake from sky

before New Year's dawn.

--Geoffrey A. Landis

Oprah on Poetry (or poets at least)

I just found this, and wonder if anyone else saw this last year:

http://www.oprah.com/style/Spring-Fashion-Modeled-by-Rising-Young-Poets/

I don't know if I'm jealous of these young women for having Oprah's glitter dust scattered their way, or upset that they had to use their bodies, not their words, to obtain said glitter dust, but either way, I think it says something about our culture when the only way poets can receive attention is by modelling clothes well outside the salaries of most poets.