Showing posts with label Submissions. Show all posts
Showing posts with label Submissions. Show all posts

Monday, January 30, 2023

Coming soon: Hope Springs Eternal anthology from Simple Simons Press

From JR Simons:

Fresh off the publication of our first anthology, Mad As Hell: An Anthology of Angry Poetry, Simple Simons Press is launching its second call for submissions for a new anthology titled "Hope Springs Eternal." Poets interested in contributing, please submit using this link: https://forms.gle/qmCz4bbVr8jgSW8Y9.


 

Saturday, March 12, 2022

Call for submissions for The Cleveland Orchestra program book

From our friends at The Cleveland Orchestra:

The Cleveland Orchestra is accepting poetry submissions in response to its presentation of Verdi’s Otello and two associated concerts. The accepted submissions will be included in the festival program book / playbill, as well as potentially other spaces (which may include the Orchestra’s magazine, website, and other platforms).


About the programs:

On May 21, 26, and 29, The Cleveland Orchestra will present a concert performance of Giuseppe Verdi’s opera Otello, based upon Shakespeare’s play Othello. In association with the opera, the Orchestra will present two programs (May 27 and 28) informed by the themes of Otello and the idea of otherness and outsider-ness that courses through it. Many of these works are also informed by poetry, from the works of Shakespeare, Wordsworth, and Whitman to Vedic chants and African American spirituals.

Information on the concerts:

Otello in Concert: May 21, 26, 29  

Program I: May 27

Program II: May 28

More information on the specific works that appear on each of the concerts follows.


Call for Submission:

We are looking for poetry submissions that respond explicitly or implicitly to the compositions that are being presented from May 21 to 29 and the theme of otherness and outsider-ness. The poem does not need to respond to the entire scope of the presentations, but should find resonance with one or more of the works being performed and/or the broader themes at play. 

·         Previously written or published pieces are welcome, please indicate if the piece has been published elsewhere and is subject to any copyrights.

·         Length should be one page or less.

·         Multiple submissions are welcome – please submit them within the same email submission.

·         Please send submissions to aangel@clevelandorchestra.com.

·         The Cleveland Orchestra will provide a $200 honorarium for selected works.

·        
Deadline:
Thursday, April 14, 2022.

·         Notification responses will be sent by May 13, 2021

 

List of works that will be performed, with links to references:

Otello in Concert: May 21, 26, 29  

·         Giuseppe Verdi’s            Otello

Program I: May 27

·         Jüri Reinvere’s                 Norilsk, the Daffodils

·         George Walker’s             Lilacs (for voice and orchestra), texts from Walt Whitman’s “When Lilacs Last in the Dooryard Bloom'd”

·         Sofia Gubaidulina’s        Light of the End

Program II: May 28

·         Charles Ives’s                  From the Steeples and the Mountains

·         Dmitri Shostakovich’s    Passacaglia from Lady Macbeth of the Mtsensk District (version for solo   organ)

·         Sofia Gubaidulina’s        Light and Dark (organ only)

·         Philip Glass’s                    Finale from Act III of Satyagraha (version for solo organ)

·         George Walker’s             Sinfonia No. 4 (“Strands”)

·         Samuel Barber’s             Toccata Festiva for Organ and Orchestra

 

Wednesday, January 3, 2018

Paying to Play

Image from Jody A. Virgan, from twitter

I hate reading fees, and refuse to submit to any journals that require you to pay for them to consider your work.  John Burroughs pointed out this article from The Millions to me, where Rachel Mennies explains some of the reasons that this is not a good thing.




image courtesy pexels

I refuse to submit to markets or contests which require a reading fee as a matter of principle, since I believe it is damaging to the field, squeezing the people who can't afford to pay out of their entry into the field.  
However, these days in the literary field, so many 'zines do it that it is getting to be unexceptional.  I sympathize with them; they are running on shoestring budgets and unpaid labor already, I can see how a small reading fee can be so very tempting.

Thursday, June 22, 2017

Literary magazines...

photo of magazines

On BuzzFeed, Lincoln Michel gives you a guide to publishing in literary magazines.  And on Catapult, Tony Tulathimutte adds his advice: How to get a story or essay published if you’re not James Franco:

Sunday, June 4, 2017



WHERE TO SUBMIT: JUNE + JULY

written by Entropy June 1, 2017
I’ve been thinking about all that goes into these Where to Submit posts, and have been grateful for the kind words that I hear about it more and more these days. One fact you may have observed: I include only a few short story/essay/poetry contests in our literary magazine section. While full manuscript submissions are often organized around contests, I worry that having a “contest” mentality toward literary publications (particularly in the short form) can be discouraging, especially to newer writers. I like thinking of magazines and presses as living breathing organisms rather than as slot machines, and it makes me happy when our list can reflect that.
Here

https://entropymag.org/where-to-submit-june-july-3/

Wednesday, December 2, 2015

Places to Submit - December 2015

 Welcome to Literistic for December!    License: <b>Public</b> <b>Domain</b> 
     

Yaddo Residency (fees)poetry, fiction, non-fiction    united statesJanuary 1
Hambidge Residency (fees). Include an applicant Statement/Proposal, bio, resume, and up to 30 pages of a novel, play, short story or other written work. Poets submit 5 to 8 poems or appropriate excerpts from longer works. For writers who work in languages other than English, submit both original language examples and English translations. poetry, fiction, non-fiction    united statesJanuary 15
Jentel Artist Residency ($, fees). Writers over 25 residing in the United States and US citizens abroad are eligible. Maximum 20 pages for writing sample. Poets send 10 pages of poetry. poetry, fiction, non-fiction    united statesJanuary 15
Banff Centre Writing Studio (fees). The Writing Studio is structured to provide an extended period of uninterrupted writing time, one-on-one editorial assistance from experienced writers/editors, and an opportunity to engage with a community of working writers. poetry, fiction    canadaJanuary 20
Contests
Prism Short Fiction Contest ($, fees). Max. word count: 6,000.fiction    canadaJanuary 15
Prism Poetry Contest ($, fees). Send up to three poems per entry. poetry    canadaJanuary 15
Meridian Editors’ Prize in Fiction ($, fees). Fiction writers may submit one story of 10,000 words or fewer in each submission. fiction    united statesJanuary 15
Discovery/Boston Review 2016 Poetry Contest ($, fees). Open to poets who have not published a full-length poetry collection. Submissions must be no longer than ten pages, typed. At least two of the poems must be a page or shorter. Poems that have been or will be published in periodicals or anthologies may be submitted; however, at least two of the submitted poems must be unpublished as of April 2016. poetry    united statesJanuary 25
The Iowa Review Awards ($, fees). Opens Jan. 1. Submit up to 25 pages of prose (double-spaced) or 10 pages of poetry (one poem or several, but no more than one poem per page).poetry, fiction    united statesJanuary 31
The Lamar York Prizes for Fiction and Nonfiction ($, fees). Send one short story or essay of up to 5,000 words, double-spaced. No theoretical, scholarly, or critical essays will be considered, but all other approaches and topics are welcome.fiction, non-fiction    united statesJanuary 31
A Room of Her Own Foundation's Orlando Prizes ($, fees). A submission consists of a single work (poem, flash fiction piece, short story, or essay). Poetry:  36 lines, Flash Fiction:  500 words, Short Fiction:  1500 words, Creative Nonfiction: 1500 words. Designed to support women writers in a variety of genres and stages of professional and creative development. poetry, fiction, non-fiction    united statesJanuary 31
The Disquiet Prize ($, fees). For poetry: No more than SIX poems per entry, up to 10 pages total. For fiction: ONE short story or novel excerpt, maximum 25 (double-spaced) pages per entry. For non fiction: ONE piece of non fiction, maximum 25 (double-spaced) pages per entry.poetry, fiction, non-fiction    united statesJanuary 31
Publications
Foliopoetry, fiction, non-fiction    united statesJanuary 4
Sand Journalpoetry, fiction, non-fiction    internationalJanuary 15
Proximity Magazine. Theme issue: "Play." We are interested in reading nonfiction stories about whimsy and a wandering body or mind, the blessedly unusual act of going "unplugged," and/or any activity that offers the reader a glimpse into the abandonment of stress and responsibility in search of joy, freedom, creativity and reprieve. non-fiction    canadaJanuary 15
Ploughshares ($, fees). Fiction and nonfiction: Less than 6,000 words. Excerpts of longer works are welcome if self-contained. Poetry: Submit 1-5 pages at a time. poetry, fiction, non-fiction    united statesJanuary 15
Nashville Review ($). We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. Between two and five poems may be submitted at a time. We’re open to anything: memoir excerpts, essays, imaginative meditations. Send us up to 8,000 words. Submissions open Jan. 1 poetry, fiction, non-fiction    united statesJanuary 31
The Capilano Review ($). For poetry submissions, send up to 8 pages; for fiction, a maximum of 5,000 words.poetry, fiction    canadaJanuary 31
Magma Poetry. Theme issue: Revolution. poems that respond to the idea of revolution in the here and now. We’d be delighted to receive poems in which the revolutionary intervenes in daily life whether politically as in Heaney’s The Toome Road or even A Constable Calls; or personally as in Dickinson’s “Because I could not stop for Death / He kindly stopped for me”, Frost’s The Road Not Taken, Bishop’s Invitation to Miss Marianne Moore or Angelou’s Personally Woman; or stylistically as in Paul Stephenson’s poem in Magma 58 where all 25 lines end perfectly logically with “beetroot”. poetry    britainJanuary 31
Fence. Submit no more than 5 poems at any one time, and up to 25 pages of fiction or other prose. poetry, fiction, non-fiction    united statesJanuary 31
0s&1s Reads. Looking for more instalments of our Writers on Mental Health series in the form of a) essays of any shape and size, or b) writers willing to be interviewed. Get in touch: editor [at] 0s-1s [dot] com.non-fiction    canada


















Cited...

The poet doesn't invent. He listens. ~Jean Cocteau