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Sixteen Floors Above the Ground: a Benefit for the Sudanese Lost Boys of Cleveland
Bree
Not lost anymore?Being a relative newbie to the Cleveland arts scene after decades of writing primarily for the boxes in my attic (and living in Elyria and Marion), I didn't know most of the folks in attendance. But I did know the work of the poets who were slated to read, and even without the good cause to support, I was happy to brave the elements and drive 45 minutes each way to see and hear them. Bree of Green Panda Press not only did a fantastic job of putting this event together, she also read poetry and sent chills up my spine with her haunting rendition of Bob Dylan's "Masters of War."
Silent auction
Michael Salinger served as the evening's emcee. He almost effortlessly kept things moving at the perfect pace, while sharing some fine African poetry and sprinkling in some of his own work. I was particularly moved by a Sara Holbrook piece he read. Other featured poets included several of my favorites from Cleveland (or anywhere): Phil Metres, T.M. Göttl, Elise Geither, Ray McNiece, C. Allen Rearick, and Mary O'Malley. And as Salinger joked, how often do you see poets pay to read? Each was sponsored by a local business or organization that believes in "thinking globally and acting locally."

Elise Geither
But lest you think the night was all poetry, there was also a silent auction featuring work by some fantastic local artists including Jim Lang, George Fitzpatrick, Tom Kryss, js makkos, and Bree. Whole Foods Market provided some delectable yum yums for our tum tums. And there were plenty of cool, kind people to meet. The place was packed. And though I kept seeing Lit executive director Judith Mansour-Thomas and others coming in with more chairs, I believe they eventually ran out. But it's always encouraging to see folks willing to stand up for good poetry and a good cause. And according to a message Bree posted on the ClevelandPoetics Yahoo listserve, this event raised $1973 for the Sudanese Lost Boys of Cleveland!
C. Allen Rearick
Here are a few (more) random photos I took that night:
Ray Mcniece
Vertigo Xi'an Xavier
Mary OMalley
T.M. Göttl
Michael Salinger
Suzanne DeGaetano
Steve Thomas
Judith Mansour-Thomas
Claire McMahon and Philip Metres
Jesus Crisis and Dianne Borsenik
I applaud everyone who played any role whatsoever in making this event a success! I encourage anyone who hasn't already to please visit the Lost Boys' website to find out more. Click here to learn about other ways you can help. And thank you for allowing me to play a very small part by writing this blog.
Peace and poetry,
John "Jesus Crisis" Burroughs
was thinking on poets who either revise, destroy or write off their early work as sophomoric, or immature. for example one ElLay poet i know was invited to collect his work of thirty-five yrs, and went back to homogenize the punctuation and line break formats of the collection. another poet, Hart Crane, left in his will the instruction to disclude early works from print. a poet i admire Charles Potts declares in a preface to a reprint of some early work, of course these poems were written young, and so cannot be taken seriously.....
i work at a grocery with a dozen or so young men from the Sudan, known as "Lost Boys", who escaped man-perils and lion- and land-perils, to make it to USA, to live the good life. St. Ignatius High School supports a group which supports the local Lost Boys---monies go to buy them basic things, like combs. but also, higher things, like education.i have been to many poetry festivals. usually lasting 2-4 days, they consist of constant readings and socializing among poets, who, as we all know can be socially challenged. but when ALL around are poets, there is noone there to throw a stone. the stimuli build, books fly off shelves as collected words suddenly seem important enough to part with cash for, friends are made and bodily clocks lose and gain minutes.
never did i expect that one day i would pay air-fare and make hotel reservations to go and read poetry for ten minutes, and listen to 16 hours of others reading! i’ll write about two stand-out fests i attended.
the 40 years since Berkeley 1968 reunion of John Oliver Simon, Richard Krech & Charles Potts (May 11-14, 2008) included readings by Richard Denner, Hugh Fox, Alta, David Bromige & myself. it took place in
another took place in
keep yer ears peeled, (and inboxes checked) for upcoming fests put on by C. Allen Rearick and Mark Kuhar this late Fall. (anyone got the scoop on either of these fine functions?) each have intimated to me much poetry will be had. consider taking days off from work, to enter into the big, intertwining world of small poetry. what i have learned from such gatherings is the family tree of small press has a branch or twig for any ovus who care to be ‘in the leaves’.
Sending Steve Steve
It’s a different thing getting to know someone thru letters, with stamps procured & envelopes licked. Script has got charm, (even if i type my own letters). Handwritings or margin sizes are as hairstyles, or trouser choices are to presenting oneself, in society. Stylish bits of the self are thus displayed. There’s almost no limit, with letters, on subject matter, because a decent one has only to fill the page. Few other rules apply. For quick messages, a postcard may be used. Some letter writers select papers based, i think, on how much they have to say; how much room they intend to fill. Perhaps only a handful of minutes are to be had for the letter, so a smallish stationary may be used. A special fold maybe, or margins are played with. Blank greeting cards for laudatory notes or special writings.
i got to know Steve Ferguson mainly thru letters. A sweet, brilliant man who never minced words, Steve floated his own boat. We met a few (brief) times at readings, but usually one of us was on our way to work just after the read, or some other thing prevented any real conversation. So what i know of Steve truly exists in his letters.
While i wrote him rambling, disjointed rants, poems, and dissections, what i pried open from
i never saved a copy of my letters, even though i drafted them on my PC, so i often wrote him the same things consecutively. Steve’s fine sentences were always new, and shifted from squirrels, to birds, to Beethoven & Bach, to his own piano playing, which involved all of the above. He often referred to his hero Steven Collins Foster. Several months before he died Steve hefted a piano into his home and acquired many Foster songs, to learn and play.
One poet told me, before Bill Clinton came around, Steve Ferguson was the Slickest Willy around. Thotful, sweetheart, wildcat, & from left field---all used by others to describe the man. i think the Steve i got was my own. Certainly, the ramblings i sent to Bridge varied from those i sent in post or email, to other friends. In a sense, he and i crafted ourselves and each other on mainly white, bleached papers for a handful of years.
Steve was a kind of private person. More than once he wrote, you better not tell anyone, but…. And so the idea of publishing,or giving the letters to some library special collection, say, causes me to pause. And consider. And go back. And consider, again. Like Steve, i am a too-thotful person.
Steve’s humility in general, and (chosen) anonymity make me hesitate even to speak of him after his death! O man, i’d like to scream it from the rooftops : STEVE
So what is the value of a writer’s wish?
i wish i knew what things i could print or say about Steve, and still be respecting.
Perhaps i jes' better read more well his letters.
Steve Ferguson published and promoted poetry around
There is also a ‘little book’ by Steve Green Panda Press originally published, as part of an anthology (Animals Without Backbones