From our friends at The Cleveland Orchestra:
The Cleveland Orchestra is accepting poetry submissions in
response to its presentation of Verdi’s Otello
and two associated concerts. The accepted submissions will be included in the
festival program book / playbill, as well as potentially other spaces (which
may include the Orchestra’s magazine, website, and other platforms).
About the programs:
On May 21, 26, and 29, The Cleveland Orchestra will present
a concert performance of Giuseppe Verdi’s opera Otello, based upon Shakespeare’s play Othello. In association with the opera, the Orchestra will present
two programs (May 27 and 28) informed by the themes of Otello and the idea of otherness and outsider-ness that courses through
it. Many of these works are also informed by poetry, from the works of
Shakespeare, Wordsworth, and Whitman to Vedic chants and African American
spirituals.
Information on the concerts:
Otello
in Concert: May 21, 26, 29
Program I: May 27
Program II: May 28
More information on the specific works that appear on each
of the concerts follows.
Call for Submission:
We are looking for poetry submissions that respond —
explicitly or implicitly — to the compositions that are being presented from May 21
to 29 and the theme of otherness and outsider-ness. The poem does not need to
respond to the entire scope of the presentations, but should find resonance
with one or more of the works being performed and/or the broader themes at
play.
·
Previously written or published pieces are
welcome, please indicate if the piece has been published elsewhere and is
subject to any copyrights.
·
Length should be one page or less.
·
Multiple submissions are welcome – please submit
them within the same email submission.
·
Please send submissions to aangel@clevelandorchestra.com.
·
The Cleveland Orchestra will provide a $200
honorarium for selected works.
·
Deadline:
Thursday, April 14, 2022.
·
Notification responses will be sent by May 13,
2021
List of works that
will be performed, with links to references:
Otello
in Concert: May 21, 26, 29
·
Giuseppe
Verdi’s Otello
Program I: May 27
·
Jüri Reinvere’s
Norilsk, the Daffodils
·
George Walker’s
Lilacs (for voice and orchestra), texts from Walt Whitman’s “When Lilacs Last
in the Dooryard Bloom'd”
·
Sofia Gubaidulina’s
Light of the End
Program II: May 28
·
Charles
Ives’s
From the Steeples and the Mountains
·
Dmitri
Shostakovich’s Passacaglia from Lady Macbeth of the Mtsensk District
(version for solo organ)
·
Sofia Gubaidulina’s
Light and Dark (organ only)
·
Philip Glass’s
Finale from Act III of Satyagraha (version for solo organ)
·
George Walker’s
Sinfonia No. 4 (“Strands”)
·
Samuel
Barber’s Toccata Festiva for
Organ and Orchestra